Garn Fawr, oil and sand on canvas laid on board

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall

Brittany Beach with Lighthouse (1961), collage mixed media

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall

Knowlton, Dorset, collage in mixed media

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall

White Relief (Church Tower), wood and plaster painted relief

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.


For hi-res images email Maxim Bendall

Italian Street Scence: A Study for the Bath Panels (1949), watercolour, pen and ink over wax resist on paper, mounted on board

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.


For hi-res images email Maxim Bendall

Classical (Roman) Ruins (1961), watercolour, pencil, pen and ink

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.


For hi-res images email Maxim Bendall

Roman Combat, watercolour, gouache, pen and ink

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.


For hi-res images email Maxim Bendall

Caves, Bullslaughter Bay, Composition No.1(c.1955), watercolour, pen, ink and gouache

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall

Mont St. Victoire (Caves), watercolour, pen and ink

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall

Three Knights, Llyn Peninsula, watercolour, gouache, pen and ink

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall

Reclining Nude (1968), watercolour, pastel, ink and gouache

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall

Reclining Nude, wash, pen, ink and chalk

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.


For hi-res images email Maxim Bendall

Indian Love Poem No.19, watercolour and red ink

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall

Flying Spirits (1972), watercolour, gouache, and ink over wax resist

Image courtesy of the River & Rowing Museum © Gyselynck Collection

Only to be used in connection with the John Piper Gyselynck Collection exhibition at the River & Rowing Museum.

For hi-res images email Maxim Bendall